Dana York
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| By choosing the medium of glass panel painting, I embrace the celebrated traditional arts of the Ketuba, of the 17th Century School of painting of calligraphy and of the illumination of sacred manuscripts, within a Venetian pied-palette of oils and gilding. I have sought to incorporate techniques of folk genius in sophisticated compositions that might allow these works to resonate with some of the emotional power and intellectual lucidity of venerated objects. | ||||||||
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